In I Tear Secrets From Your Yielding Flesh, Nicola Turner transforms wool, reclaimed horsehair and Hanover Square’s hidden histories into a persuasive, bodily sculpture installation.

At Gagosian New York, Jordan Wolfson gives circulating images physical weight, turning polished aluminium, reflection and spikes into a confrontation with screen culture.

Christie’s reveals the late Clive Davis’s private collection, from Warhol and Hockney to Stella and Mitchell—and the discerning eye behind a lifetime of collecting.

In his first London solo exhibition and first show with David Zwirner since joining the gallery, Louis Fratino broadens his intimate figurative language into city life, landscape and a more expansive dialogue with art history.

For his first UK solo presentation and first exhibition with David Zwirner, Daichi Takagi turns stones, moonlight, leaves and ancient trees into paintings poised between exact observation and the surreal.

LACMA’s largest survey of Reiko Sudō and NUNO asks a collector’s question hiding in plain sight: when does fabric become an authored, editioned and historically important object of design?