ARTICLES

The Bayeux Tapestry opens at the British Museum after returning to England for the first time in nearly 1,000 years. Beyond 1066, it is a lesson in material, narrative and conservation.

Pierre Chapo’s elm furniture has moved from connoisseur design into the art collector’s field of vision. The reason is not fashion alone: his best pieces make construction itself the subject.

From Richard Meier’s glass-walled rooms to Gutai paintings, Arte Povera and site-specific sculpture, the Rachofsky House shows what happens when art leaves the gallery and becomes part of daily life.

Gagosian’s Damien Hirst solo booth at Frieze Seoul is less a comeback than a compact map of a highly segmented market—placing Spots, Spins, cabinets, Colour Space, Secret Gardens and Treasures side by side for collectors.

Four early Yayoi Kusama watercolours preserved in Joseph Cornell’s archive reveal how friendship, receipts and archival care can transform provenance into art history.

Claude Lalanne’s fifteen mirrors for Yves Saint Laurent and Pierre Bergé sold for $33.455 million at Sotheby’s in April 2026. The record highlights how exceptional design, provenance and the growing dialogue between art and interiors are reshaping collecting.