At Saatchi Yates, Slawn redefined the conventional exhibition model by transforming the gallery into a functioning studio environment. Rather than presenting a static display of completed works, Slawn’s Studio invited audiences into the active process of art-making — where paintings evolved in real time and the boundaries between production, performance, and presentation dissolved.

Through mentorship, international networks, and her members’ platform StudioToGallery, curator and advisor Sonia BB London is creating a fairer infrastructure for emerging artists — replacing gatekeeping with guidance and access with education.

At Carl Freedman Gallery, Crossing Into Darkness sees Dame Tracey Emin step into the role of curator with striking emotional authority, assembling a multigenerational constellation of artists — from Goya, Munch, Bourgeois and Kiefer to Danielle McKinney, Lindsey Mendick and Celia Hempton — to explore vulnerability, mortality and psychological depth. Through restrained lighting, careful spatial choreography and an instinctive pairing of historic and contemporary voices, Emin transforms darkness into a space of reflection rather than despair.

Frieze London & Frieze Masters (15–19 Oct) turn Regent’s Park into the art world’s epicenter. From bold newcomers to historic icons, the fairs promise discovery, debate, and daring creativity — and ARTCOLLECTORNEWS will be there to capture it all

Duct tape, bondage, condoms, chains… Marc Aurele's debut solo exhibition at The Bomb Factory Foundation is a striking exploration of your darkest arcane appetites. The exhibition, minimalist and meticulously curated, presents raw materials in their most unadorned state. Upon entering, visitors are immediately enveloped in a sensory experience.