ARTICLES

For his first UK solo presentation and first exhibition with David Zwirner, Daichi Takagi turns stones, moonlight, leaves and ancient trees into paintings poised between exact observation and the surreal.

LACMA’s largest survey of Reiko Sudō and NUNO asks a collector’s question hiding in plain sight: when does fabric become an authored, editioned and historically important object of design?

Tala Madani’s new paintings and animations turn cutting, erasure and reconstruction into a language of power. Using fresh artist testimony alongside the exhibition material, we examine why the work is funniest when control starts to fail.

Eight new sculptures turn handmade ceramic beads, soils from three countries and metal stitching into a chorus of maternal forms—an exhibition where repair becomes structure rather than correction.

Tunnel-boring machines become creatures and infrastructure starts to resemble metabolism in Teresa Solar Abboud’s first UK solo. We look at the hidden systems beneath the city—and what collectors need to know about her materially complex sculpture.

The Whitney’s first Lichtenstein retrospective in New York in more than thirty years reunites his landmark 1962 Castelli debut and follows the artist across six decades. For collectors, it is a timely chance to look beyond the market’s early-Pop hierarchy and reconsider the full intelligence of the oeuvre.