LATEST NEWS:
RARE VAN GOGH PAINTING UNSEEN FOR SIX DECADES HEADS TO AUCTION WITH ESTIMATES REACHING $180 MILLION •  CHRISTIE'S LONDON FRIEZE WEEK SALES SURPASS £218 MILLION, SIGNALING RENEWED CONFIDENCE IN THE TOP END OF THE MARKET • BTS STAR AND ART COLLECTOR RM STEPS INTO THE CURATORIAL SPOTLIGHT WITH SFMOMA EXHIBITION • BRITISH MUSEUM REPORTEDLY SECURES $40 MILLION DONATION AS THE FUTURE OF THE PARTHENON MARBLES RETURNS TO PUBLIC DEBATE • ROY LICHTENSTEIN RETURNS TO THE WHITNEY WITH HIS FIRST MAJOR RETROSPECTIVE IN MORE THAN THREE DECADES • TATE ACQUIRES WORKS BY MICHAELA YEARWOOD-DAN AND LUIS FERNANDO ZAPATA DURING FRIEZE LONDON 2026 • ABU DHABI EXPANDS ITS CULTURAL AMBITIONS AHEAD OF THE INAUGURAL FRIEZE ABU DHABI FAIR • ARTISTS SEEK NEW REPRESENTATION FOLLOWING THE CLOSURE OF STEPHEN FRIEDMAN GALLERY, RAISING QUESTIONS ABOUT THE FUTURE OF THE TRADITIONAL DEALER MODEL • NEW INDEPENDENT ART FAIRS CHALLENGE FRIEZE'S ESTABLISHED FORMAT AS LONDON'S ART WEEK ATTRACTS ALTERNATIVE VOICES • TAREK ATOUI TRANSFORMS TATE MODERN'S TURBINE HALL INTO AN IMMERSIVE EXPLORATION OF SOUND AND SPACE • ROYAL ACADEMY AND LONDON MUSEUMS REVISIT THE LEGACY OF THE 1990S BRITISH ART SCENE
Exhibitions
Magazine

Ragnar Kjartansson: Mercy

Ragnar Kjartansson

NGV International
,
Melbourne
June 26, 2026
—
October 4, 2026

Eight new and recent video works combine music, humour, melancholy and repetition in Ragnar Kjartansson’s first major Australian solo exhibition.

Ragnar Kjartansson with Guðrún Ásmundsdóttir in Me and My Mother, from the exhibition Ragnar Kjartansson: Mercy at NGV International.
EXHIBITION DETAILS
GALLERY
180 St Kilda Road, Melbourne VIC 3006, Australia
DATES:
June 26, 2026
to
October 4, 2026
ARTISTS
Ragnar Kjartansson
CURATOR
PHOTOGRAPHER
Image courtesy National Gallery of Victoria
LOCATION
Melbourne

ABOUT THE EXHIBITION

Ragnar Kjartansson: Mercy is the Icelandic artist’s first major solo exhibition in Australia. Eight new and recent video and film works combine performance, music and theatrical staging to move between sincerity and irony, beauty and banality.

Kjartansson draws on opera, popular music, cinema, painting and the traditions of performance art. Repetition is central: songs are performed until their emotional meaning shifts, gestures become simultaneously comic and affecting, and familiar cultural roles are stretched through duration.

Works in the exhibition address love, melancholy, masculinity, family and the romantic image of the artist. Across different personae and collaborations, Kjartansson creates situations in which performance gradually reveals unscripted moments of vulnerability and connection.