LATEST NEWS:
CHRISTIE’S UNVEILS LANDMARK HIROSHIGE COLLECTION AHEAD OF SEPTEMBER AUCTION • MONET LEADS 62-WORK DURAND-RUEL COLLECTION COMING TO CHRISTIE’S PARIS • FRIEZE LONDON 2026 REVEALS EXPANDED ARTIST PROGRAMME • FRIEZE SEOUL RETURNS WITH 125+ INTERNATIONAL GALLERIES • THE ARMORY SHOW RETURNS TO NEW YORK WITH AROUND 230 GALLERIES • FRIEZE SCULPTURE RETURNS TO REGENT’S PARK THIS SEPTEMBER • WATTEAU AND FRAGONARD LEAD MAJOR PRIVATE COLLECTION HEADING TO PARIS • GLENN LIGON OPENS FIRST SOLO EXHIBITION IN SOUTH KOREA • LANDMARK RENOIR EXHIBITION BRINGS 50+ MASTERWORKS TO LONDON • CHRISTIE’S H1 AUCTION SALES RISE 71%
Exhibitions
Magazine

Carsten Höller: Two

Carsten Höller

UCCA Center for Contemporary Art
,
Beijing
July 14, 2026
January 31, 2027

Carsten Höller’s first institutional solo exhibition in China turns UCCA’s Great Hall into a participatory ‘Laboratory of Doubt’.

Carsten Höller, Giant Triple Mushroom, 2024. Courtesy the artist and Gagosian. Photograph by Sun Shi. Installation in Carsten Höller: Two, UCCA Beijing.
EXHIBITION DETAILS
GALLERY
798 Art District, No. 4 Jiuxianqiao Road, Chaoyang District, Beijing, China
DATES:
July 14, 2026
to
January 31, 2027
ARTISTS
Carsten Höller
CURATOR
Philip Tinari | Jiashu Zou
PHOTOGRAPHER
Photograph by Sun Shi / Courtesy the artist and Gagosian
LOCATION
Beijing

ABOUT THE EXHIBITION

Carsten Höller: Two is the artist’s first institutional solo exhibition in China. Installed throughout UCCA Beijing’s Great Hall, the exhibition brings together iconic participatory works and new projects in an environment the artist describes as a “Laboratory of Doubt.”

Höller draws on his scientific training to create situations in which perception, choice and behaviour are placed under pressure. Repetition, doubling, play, sleep and collective experience recur throughout the exhibition, while visitors become active participants rather than detached observers.

The exhibition’s emphasis on the double reflects Höller’s long-standing interest in parallel possibilities and uncertain outcomes. By creating environments that oscillate between pleasure and disorientation, the work asks visitors to reconsider how reality is perceived and how experience changes when certainty is suspended.